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Read Write Inc. Phonics Assessment 3

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0% found this document useful (0 votes)
1K views6 pages

Read Write Inc. Phonics Assessment 3

Uploaded by

Joonhee Ahn
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Read Write Inc Assessment 3

Phonics

Assessment 3
To assess children using Assessment 3, follow the guidance on
pp.68–69 of the Reading Leader Handbook.

Set 1 Sounds Groups A or B

m  a  s  d  t  i  n  p
g  o  c  k  u  b  f  e
l  h  r  j  v  y  w
z  x

Set 1 Sounds Group C


Oral blending: h-u-g b-a-t p-e-n d-o-t s-i-t

Ditty Group (Photocopy Masters 1–10)

red  dog  in  yes  am

Red Group

ch  ng  nk  qu  sh  th
egg  jump  plum  long
tob  zif  bef  ruz
1 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.
Read Write Inc Assessment 3
Phonics

Green Group

drink  sand  truck  gran
shom     cham  thip

  
them  off
lot  that  six  hot

Pink Group

oo
ay  ee  igh  ow  oo  
way  tree  fight  look
dray  floop  spow  scop
this  thing  swim  did
feet   then  have  help

2 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.
Read Write Inc Assessment 3
Phonics

Orange Group

ar  or  air  ir  ou  oy
arm  horse  fair  girl
gart  spoun  woy  lirp
hand  ask  three  yet
play  right  feel  grow

Yellow Group

sparl  snirg    floup
groy   flink   stinch plair
tree  boy  party  yellow
light  about  girl  house

3 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.
Read Write Inc Assessment 3
Phonics

Blue Group
a-e  ea  i-e  o-e  u-e  oi
blafe shorp spime shule smean glope

1m I’m Dan Reed. I’m twelve next week and I live at 11

sixteen, Wood Street. 14

Mum and Dad have just got ... a baby! 22

I’m not feeling very happy at all. 29

I did tell Mum that I wanted a dog or a cat or even 43

a rabbit, but she went and got a baby. And no, she 55

said that it cannot go back to the shop! 64

This baby looks very funny indeed. I don’t think it’s 74

a baby at all – I think it’s an eel. It digs its heels into 88

Mum’s legs and then it kicks with both feet and twists 99

its body. 101

My sister Sheena (she’s sixteen) gives the baby a big 111

sloppy kiss, then mops it up with a flannel and puts it 123

in its buggy. When Sheena wheels the buggy along 132

Wood Street I pretend I’m not with them. 140

4 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.
Read Write Inc Assessment 3
Phonics

Grey Group

ai oa ew ire ear er aw ow ure are ur

flike snewn plaw flear prule brewp birtle

1m Fox and Kestrel followed the light until they came to a 11

camp with five tents. They saw men cooking fish with 21

spicy fried rice. They watched as their wives and children 31

ate slices of rabbit pie. What a fine sight! 40

“That smells nice!” said Kestrel. “Do you think this 49

might be the Land of Humans?” 55

Fox was looking at a large box, almost hidden behind 65

a huge pile of pine logs. “What’s inside it, do you think?” 77

he asked. 79

Kestrel spotted a chink in the box. “I think it might 90

be – the light!” she said. 95

“Let’s grab the box while they sleep,” said Fox. 104

And this is what they did. On the way back, Kestrel 115

had to rest for a while. Fox sat beside the box as she 128

slept. He peeped into the box – but the lid slipped 138

right off and a bolt of white light shot up, up, into the 151

blackness of the night! 155

5 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.
Read Write Inc Assessment 3
Phonics

Literacy and Language Group

scrales  splurb  stume  bloamp  smerds
flidding  plew

comfortable  adventure  because  attention
nearly  smallest  everything  terrible

1m Class 2J were practising for their sponsored silence. 8

The children sat hunched over their books in silence, 17

scribbling away at their stories. It was so quiet you 27

could almost hear the scratch of pencils on paper. Zac 37

put his hand up to ask Miss Johnson a question. Miss 48

Johnson glowered at him and pointed to the sign on 58

the wall. Zac bit his lip and reluctantly lowered his 68

hand. In the back row, Martha was dying to sneeze. 78

Her nose twitched like a rabbit’s and her face was like 89

a red balloon, ready to pop at any moment. 98

Everybody’s lips were firmly sealed. 103

Well, nearly everybody’s. “This practice is a brilliant 111

idea, Miss Johnson,” said Ben. “I think we’re doing 120

really well. I didn’t think I could keep silent, but I have, 132

haven’t I? We’re bound to win the prize for the Quietest 143

Class, aren’t we, Miss Johnson?” 148

Miss Johnson’s groan said it all. 154

6 Read Write Inc. Phonics © Oxford University Press 2016. No sharing, copying or adaptation of materials permitted except by subscribers to Oxford Owl.

Common questions

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In the story from Source 2, character development is portrayed through the dynamic interactions between Fox and Kestrel. Fox's adventurous and somewhat reckless nature is revealed when he suggests stealing the box while the camp sleeps. His curiosity and impulsive tendencies are highlighted when he peeks into the box, leading to an unexpected event. Kestrel, on the other hand, displays cautiousness and foresight. She recognizes the box might contain the light and eventually needs to rest during their escapade, indicating a more measured approach to their adventure. This interplay between the characters conveys their distinct personalities and roles in the narrative .

Including fictional narratives in phonics lessons, as evidenced in the Read Write Inc. Phonics program, offers significant educational value. These narratives engage students by providing context and meaning to abstract phonics concepts, making learning more relatable and memorable. Fictional stories often incorporate the sounds and words being taught, allowing children to see these elements in action, which promotes comprehension and retention. Furthermore, narratives can stimulate imagination and critical thinking, encouraging children to draw connections between the lesson's content and real-world applications. This approach not only supports phonemic awareness but also fosters a holistic language learning experience .

The educational philosophy underlying the Read Write Inc. program emphasizes a structured, phonics-based approach to literacy. The systematic teaching of phonics and the progression through different sound sets and reading groups suggest a focus on foundational language skills. This method is likely to promote a disciplined and focused classroom environment where students are continually challenged as their skills develop. By categorizing learning into explicit groups and offering clear pathways for advancement (e.g., moving from Pink to Orange groups), the program promotes measurable progress and motivates students with achievable goals. This philosophy likely fosters a supportive and engaging learning environment that values incremental achievements and builds student confidence in literacy .

The Read Write Inc. program addresses oral language development challenges by incorporating oral blending practices alongside phonics instruction. By focusing on sounds before their written forms, the program emphasizes phonemic awareness, which is crucial for both reading and speaking proficiency. Techniques such as blending sounds orally ('h-u-g', 'p-e-n') help children develop the ability to decode spoken language and map those skills to written text. This foundational approach ensures that oral language skills are developed in tandem with phonics knowledge, creating a more cohesive and comprehensive pathway to literacy. Such integration helps children articulate sounds correctly and improves their communication skills .

The Read Write Inc. Phonics program incorporates assessment by organizing students into groups such as Red, Green, and Orange based on their phonetic abilities and learning progress. This structured assessment helps tailor instruction to the student's current level, allowing for targeted teaching that addresses specific needs and challenges. Benefits of this approach include more personalized learning experiences and the ability for educators to monitor progress closely and adjust teaching methods accordingly. This systematic assessment supports continuous improvement and helps ensure that no child is left behind as they progress through increasingly complex phonetic groups .

Humor in the narrative involving Class 2J stems from the juxtaposition of the children's varied reactions to the silence practice against the overarching goal of maintaining complete silence. For instance, Ben's ironic statement about the effectiveness of the silence contrasts humorously with Miss Johnson's groan, which underscores the tension between intent and reality. Additionally, Martha's struggle with a sneeze introduces physical comedy, as her exaggerated expressions conflict with the need to remain silent. This use of humor highlights the children's innocence and the challenges inherent in achieving collective goals under strict conditions, offering a lighthearted critique of classroom discipline .

The story of Fox and Kestrel utilizes several narrative techniques to create suspense. One such technique is the use of dialogue, which immediately captures the reader's attention with the characters' spontaneous plan to 'grab the box while they sleep.' This creates an immediate sense of urgency and secrecy. The suspense is further built by the detailed description of the setting, such as the camp's atmosphere and the hidden box, which evokes curiosity about its contents. The climax reaches its peak when the box is opened, and the unexpected release of light dramatically changes the scene. These techniques keep the reader engaged by continually raising questions about the outcome and the characters' fates .

Curiosity is a central theme in the adventure of Fox and Kestrel. The narrative demonstrates how curiosity drives the plot forward, as seen when Fox, intrigued by the camp and the box, suggests taking the box. This decision leads to a series of actions motivated by curiosity, including Kestrel's search for light. The consequence of Fox's curiosity is significant; it causes the light to bolt into the sky, creating a dramatic climax and potentially altering the story's setting and stakes. This portrayal suggests that curiosity can lead to both discoveries and unintended repercussions, emphasizing the theme's complexity in character motivations and narrative progression .

The interplay of imagination and reality is deftly illustrated in Dan Reed's narrative concerning his new sibling. Dan's dissatisfaction with his new family member is expressed through whimsical imagery, as he humorously imagines the baby to be an eel rather than a human. The comparison of the baby's actions to eel-like movements—digging its heels and twisting its body—demonstrates how Dan's imagination transforms an everyday reality into something fantastical. This imaginative perspective highlights his emotional struggle and reluctance to accept the reality of a new sibling, showcasing a childlike means of coping with change and expressing discontent .

The Read Write Inc. Phonics program utilizes a systematic synthetic phonics approach to assist children in their reading development. This involves teaching children to identify and blend sounds into words. The sounds are taught in specific groups, such as Set 1 Sounds Group C and others labeled Ditty, Red, and so on. This structured approach is designed to build children's confidence in reading by systematically increasing the complexity of words and sounds they encounter. For instance, children start with basic sounds (like 'm' and 'a') and progress to more complex sound combinations and digraphs ('ch', 'ng', etc.). Moreover, the program includes activities such as oral blending and provides specific guidance on teaching these elements effectively .

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